Deborah Burton

Deborah Burton is an American music theorist, pianist, and academic. She is particularly known for her publications on Giacomo Puccini and his works, including the 2004 book Tosca's Prism: Three Moments of Western Cultural History. She has contributed articles to numerous music journals, including Nuova Rivista Musicale, Opera Quarterly, Studi Musicali, and Theoria.

She earned a Diploma in Piano Performance from the Mannes College of Music, a Master of Music from the Yale School of Music, and a PhD from the University of Michigan in 1995 with a doctoral dissertion entitled An Analysis of Puccini's Tosca: A Heuristic Approach to the Unifying Elements of the Opera.[1] She is Assistant Professor of Music, Composition and Theory at Boston University and is a former faculty member at Adrian College, Florida International University, Fordham University, Harvard University, the University of Massachusetts Amherst, the University of Michigan, and Yale University.[2]

Burton was one of the originators of the conference "Tosca 2000" in Rome, marking the centenary of Puccini's Tosca and the 2010 Boston conference "Fanciulla 100: Celebrating Puccini" (and its website fanciulla100.org), marking the centenary of Puccini's La fanciulla del West.[3]

Contents

Bibliography

Books
Articles

References

  1. ^ Fairtile (1999) p. 149
  2. ^ Boston University. Deborah Burton
  3. ^ Weaver (July 16, 2000) p. 21, Section 2; Sachs (December 10, 2010); Kellow (December 2010)

Sources

External links